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_gen-v--exploring-the-dark-side-of-superhero-training.webp "\")
![[ Hot Movie ] Safe Skies, Archer Ep 6-10<br/>Safe Skies Archer](https://cdn1.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KGJcSHGSwGRqBI_9REQOSMv9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_hot-movie-safe-skies-archer-ep-6-10-pj-box.webp "[ Hot Movie ] Safe Skies, Archer Ep 6-10<br/>Safe Skies Archer")
![[ Hot Movie 2024 ] Safe Skies, Archer Ep 1-5<br/>Safe Skies Archer Ep 1-5](https://cdn2.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KGJy5omSwGSqmBT-_BQujJF9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_hot-movie-2024-safe-skies-archer-ep-1-5-pj-box.webp "[ Hot Movie 2024 ] Safe Skies, Archer Ep 1-5<br/>Safe Skies Archer Ep 1-5")
_world-championship-wrestling-0192-0692-90.webp "1/3/90; Atlanta, GA; Center Stage Theatre<br/>1/6/90 – included opening comments from Teddy Long regarding his debut later in the show of the new Skyscrapers; featured Jim Ross & Kevin Sullivan on commentary; included the announcement that NWA World Champion Ric Flair, Sting, & Arn Anderson would face NWA TV Champion the Great Muta, Buzz Sawyer, & the Dragon Master in a steel cage match at the next Clash of the Champions, Feb. 6; included Ross conducting an interview with Long in which Long said Sid Vicious had been replaced in the Skyscrapers and was nothing more than a hired hand and that Mark Callous would now be teaming with Dan Spivey; featured a pre-taped segment in which Pro Wrestling Illustrated Editor Bill Apter recognized Gordon Solie as the winner of the Editor’s Award, NWA Tag Team Champion Scott Steiner as the Most Improved Wrestler of the Year, and NWA World Champion Ric Flair as Wrestler of the Year; included Ross conducting an interview with Flair regarding the challenge of NWA US Champion Lex Luger and Sting now being a part of the Horsemen; featured Ross conducting an interview with Ricky Morton & Robert Gibson regarding their return to the NWA and the current tag team scene (Morton’s return after a year absence; Gibson’s return after a 2-year absence); included Ross conducting an interview with NWA US Champion Lex Luger regarding his challenge of NWA World Champion Ric Flair, during which he said he had been a trendsetter since day one, had gained huge success in only four years in the business, and it was inevitable that he would be world champion; featured Ross conducting an interview with Michael Hayes in which he said the Freebirds said they would dominate the 80s and they did and they would do the same in the 90s; he then targetted Brian Pillman & Tom Zenk and said he and Jimmy Garvin would rearrange their faces, finishing by saying there weren’t just two Freebirds but four; included a promo by Woman, alongside Nitron, in which she said she wanted Flair in her camp:<br/>NWA Tag Team Champions Rick & Scott Steiner defeated Pat Rose & Rick Fargo at 2:32 when Rick pinned Fargo with an overhead suplex; prior to the match, Scott took a young fan from the crowd, sat him on the ring apron, and let him hold onto his title belt; during the bout, it was announced the Steiners would put their titles on the line against the masks of Doom at the Clash of the Champions<br/>Bobby Eaton & Stan Lane (w/ Jim Cornette) defeated Ned Brady & Paul Drake at 4:16 when Eaton pinned Drake with one hand following the Rocket Launcher; during the bout, Cornette joined the commentary team<br/>Norman pinned Bob Cook at 3:14 by reversing a sunset flip attempt into a sit-down splash; prior to the bout, Norman cut an insert promo on his giving Woman a painting the following day on The Main Event<br/>Buzz Sawyer & the Dragon Master defeated Ricky Nelson & Rick Ryder at 3:26 when Sawyer pinned Ryder with the splash off the top after Dragon Master dropped Ryder with a jumping to")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
_masks-2021---full-short-movie---english-subtitles-embedded.webp "MASKS (2021) _ Full Short Movie _ English Subtitles Embedded from pj masks fuck")
_harley-davidson-special-showbike-custom-spectacula-aampt-design.webp "This bike was completely designed on the drawing board. The important thing was not to follow any trend, but to give form and execution its own signature. There was no framework! TÜV? Fuck it all! Are there any customers for this? No matter! Too costly, too expensive? So what!<br/><br/>Only the goal was clear: “Absolutely awesome”.<br/><br/>From the first sketch to the start of construction about 6 months passed. The construction time even to the ready to drive blank was 4 months. Another month was needed for paint, chrome and final assembly.<br/>The controls such as throttle, clutch, brake, gearshift and air suspension were not visibly integrated into fork and frame. The result was a super clean overall impression, which is not distracted by screws, cables or lines from the design. Consciously creates the impression that it is an inedible study.<br/>Design highlight and technology center is certainly the fork.<br/>Frame and fork bridges merge together in a previously unknown way.<br/>At the same time, the entire operating technique is hidden in the upper triple clamp.<br/>The Spectacula is driven and braked by an equally invisible friction roller drive with intermediate gear.<br/><br/>The front brake pipe was integrated into the standpipe. The technology was developed by BIGS – NL.<br/><br/>Air suspension at the front and rear lets the bike lift for driving.<br/>Considering that everything was made in-house (from the framework to the body work to the 3D milling work) one can imagine that it was a tremendous show of strength for us. It was difficult that we also built our new Harley-Davidson store at the same time.<br/>Our goal was to drive the bike into the shop on the opening day.<br/>The biggest challenge for this project was its own claim: absolute high – end.<br/>The paint system is from Kruse Design. The paint is 28 layers thick and interspersed with different sized metal pigments (Multishape by House of Coulor). All stripes are hand-lined (pinstriping).<br/>Winning the title means a lot to us all here: it’s the reward for the hard work of the past few weeks. Many customers come from far away to see this bike. To experience something so positive in this day and age is something very special and motivates the whole team to continue on our way.<br/><br/>- Base Thunderbike Spectacula Frame 2005<br/>- Construction Time 5 Months<br/>- Engine TP Pro Serie<br/>- Capacity 124<br/>- Power 120 PS<br/>- Carburetor Mikuni 45mm HSR<br/>- Air Cleaner Thunderbike Freestyle<br/>- Ignition Thunderbike Single Fire<br/>- Exhaust Thunderbike<br/>- Gear Rev-Tech 5-Speed<br/>- Hydraulic Swivel Clutch<br/>- Primary NH Power Thunderbike Design<br/>- Secondary Intermediate Gear and Friction Roller<br/>- Painting by Ingo Kruse / Kruse Design<br/>- Chrome Alu Concept<br/>- Rake 50°<br/>- Frame Height minus 2“<br/>- Frame Lenght plus 6“<br/>- Swingarm Thunderbike<br/>- Suspension Thunderbike Air Ride<br/>- Fuel Tank Thunderbike Spectacula<br/>- Footoegs Thunderbike Spectacula<br/>- Fenders Thunderbike / Pinguin<br/>- Electric Thunderbike<br/>- Headlamp Thunderbike Spectacula<br/>- Taillight and Side Mount License Plate Paul Yaffe<br/>- Seat Autosat")
_adobe-fresco-course-section-22-transform-duplicate-cut-and-copy-selection.webp "Adobe Fresco is a digital painting application which is a part of Adobe Creative Cloud. In this course, you will learn how to work with different brushes and tools to make different artworks.<br/><br/>In this video lesson, we will learn about Transform, Duplicate, Cut and Copy Selection in Adobe Fresco.<br/><br/>You can access the entire Adobe Fresco Course in the following playlist:<br/>https://www.dailymotion.com/playlist/x8c136<br/>")
_kiss-of-death-1947-full-movie-124-victor-mature-brian-donlevy-coleen-gray-richard-widmark-pj-box.webp "Synopsis: An ex-con trying to go straight must face a crazed criminal out for revenge.<br/>Genre: Crime, Thriller<br/>Director: Henry Hathaway<br/>Top cast: Victor Mature, Brian Donlevy, Coleen Gray, Richard Widmark, Taylor Holmes, Howard Smith, Karl Malden")
⏲ 1:39:0 👁 5K
_human-face-mask-cute-bug-that-can-crawl-into-your-heart.webp "HUMAN FACE MASK CUTE BUG THAT CAN CRAWL INTO YOUR HEART")
_adobe-fresco-course-section-24-using-eyedropper-tool.webp "Adobe Fresco is a digital painting application which is a part of Adobe Creative Cloud. In this course, you will learn how to work with different brushes and tools to make different artworks.<br/><br/>In this video lesson, we will learn about Eyedropper Tool in Adobe Fresco.<br/><br/>You can access the entire Adobe Fresco Course in the following playlist:<br/>https://www.dailymotion.com/playlist/x8c136<br/>")
_what-immortan-joe-really-looks-like-under-the-iconic-mask.webp "He's the great redeemer, the War Boy god who'll carry you to the gates of Valhalla — but who is the real Immortan Joe? Strap in and witness what this iconic Mad Max villain looks like beneath that mask.")
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